Saturday, May 24, 2008

Now that I am finally getting on to writing the reviews I realize I posted a poem here by Robert Vasquez and left out line nine! So, here it is again. He's so kind he didn't mention it!

Elegance

Elegance has its lightning too, its jagged
dance that ebbs late in the evening, slightly
vexed by a high-heeled partner and her unrepentant
smoke, her waxed legs ascending like heat.
All night I've wanted to unlock some lost
octave that frets about this and that, mostly
that: the guitar's tightly wound chords
my fingers would register and release. But
this middle-aged campaign for elegance
doesn't pirouette like wind in the orchards;
only the frogs start up in the canal's
orchestra pit. What's left is this stunned
self-portrait, irregular and estranged,
a fifty year old man anxious to tango.

This is from BRAILLE FOR THE HEART (Momotombo Press 2007).

I highly recommend you order it. When you do ask for an Errata sheet. Vasquez has one he can send to you as well.

RISING ABOVE MISOGYNY AND SEXISM



I saw this on Suzanne's blog litwindowpane.

I'm not sure who I will vote for, but I felt this was important to post.

Friday, May 23, 2008

Up for just a bit. Drafting thoughts or as someone once said sketching...

The Middle Way

We worry for ourselves, our decaying bodies. We worry for our friends. We worry in missing in desire, in longing. We worry for our bodies’ decay. We worry about weakness. We worry what thoughts of us are in the others I. We worry to hide our true thoughts, fears, desires. The worry passes in the wind’s cool hum. The worry passes. This too shall pass said the friend that is now gone. We worry for our “soul”. We worry for our lack of peace. We worry for our food, shelter, clothing. We worry for our pride our failures. We worry because we are taught to worry. We worry in thoughts. Thoughts fade, worries fade. Thoughts return, thoughts fade. Worry. Worry. Worry. We note our worry, name our worry, and hold our worry in our body. We worry for the weakness of the spine and back. We plan to strengthen the body then realize it will decay no matter how much or often we strengthen the back. We think the work to strengthen the body will bring peace. We worry to make the body strong. We understand and note the body will decay. We worry for what is fat and thin and ugly. We worry for what is beauty. We worry others will steal what we call ours. We worry about locks and objects. We worry about our language, our gestures. We worry of our need to drop the “our” or “mine.” We may worry about the “We” and understand only the worry. We worry for the departed dead. We worry for their goneness, their empty existence outside what we see, hear, smell, taste, touch. We worry for the elements. We worry at the wind and fallen branches. We worry for electric fires and evaluations. We worry we forget. We worry that we remember. We worry the flowers their weakness in the storm. We worry about the need to plan and plant. We worry about replanting and harvesting. We forget the worry as it passes like clouds, like rain or wind. The worry winds its way down the spine, in the ebb and flow of oceans and tides and beaches and cut stones, the worry dissolves like stone at the edge of water, like stones round beneath the river’s slowing. We worry for the sun and sleep. We worry to wake. We worry about death and love and sex. We worry about. We worry inside. We worry without. We worry beneath or above. We worry hollow and whole. We worry dry and wet. We worry in dream and waking. We worry they will not like our words. We worry that our words do not meet their standards. We worry the standard is skewed. We worry the standard is correct. We worry too tight, too lax. We worry the thieves, we worry at the theft. We worry the the’s in poems, worry the time lost, the time to come. We worry the shaking of the body uncontrolled. We worry the overly controlled body. We worry the early sunset, the early sunrise. We worry we are late or too early. We worry to hear Vivaldi when we find Hayden. We worry our long-winded talk and silence. We worry at the lack of breath, the overindulgence of food and drink. We worry our bodies’ lack of symmetry, lack of youth, lack of strength. We worry the lack of music, the lack of image, the lack of harp strings and colors. Worry is fear. We name the lacking and the abundance. We forget the voice is an instrument. We forget the leaves too find their gestation in beginning. We forget the leaves too dance in the cold wind. We worry the adjectives, the lack of adjectives, the naked verb, the holy verb, the self-indulgent pronoun. We speak things to some and hide them for others. We imagine the word. The word imagines. We are the wordless hum and silence. We fear the string’s tightening. We fear the string’s loose hair-letting in the wind of being. We fear our sweat and smell. We love our sweats and smells. We name joy in the unnamed haphazardness of being. We fear the continuance, the ending, the pause, the step, the fall. We know the unknowing. We unknow the known. We crown ourselves in time like breath, like movement and conjugations. We lose our life. We find our life. We seek the flow, we seek the stillness. We lay the bricks, we cement the foundation, light the paths, light the coasts, light the nights. We shade the body, move the heart, crack the breaking, seal the opening. We are seasons. We are revolving, revolutions and letting go the dream. We are the dream, the waking, the wing’s span, the fairy in the child’s story, the print out, the ink drained, the sea swam through and fed upon. We are the in the beginning. We are the night folding and opening. We are the sun’s light, the water’s gaseous floating. We are the hurried and the slowed. We are the stone, the heavy laden path worn beneath the feet of us. We are broken twig and weeds flowering in their empty headed blooming joy. We are the reaching, the relaxation, the bulb, the flowering, the knob that opens and closes rooms and windows glinting in sun, beaten by hard rain. We are worries passing and passing, floating, drifts in or of the ether of living. The emptiness solidly confines music. We are nothing and briefly noted. We are noting and un-noting. We are wordless empty breaths and blood strewn causality. We are process and processing and processed. We are spoken and speaking and unspoken. We wind through this sky changing and changing and passing and passing. Slow lingering bones and lungs attached to spine and amphibian and water and grass and such living mass, such energy lit and darkening to a perfect unknowing, worry-less and truly free.

Thursday, May 22, 2008



May the force be with you





Hmmm. Maybe there is something to be said for age and experience.




Life force

I like the title of the tune too.

Wednesday, May 21, 2008

Alicia Gaspar de Alba has a new blog called Cooking with Sor Juana here.

Fear is a motivator—and it is a negative one. When we fear, we are at unease. The act of creating a poem or a garden is freeing. We want to make such things grow and flourish. Earlier I wrote about resources and the lack of resources. These conditions can make us afraid. I want and do not have. I seek but cannot find or attain the things I believe are necessary for happiness in a materialistic and capitalistic society. This leads to great fear and such fear can last for decades. One can ask if it is possible to rise to another socio-economic class in this country. Someone says, yes, but for some it is very difficult. I agree. This is a great illusion in America. Greed is seemingly the way to go. This is an illusion of happiness or the American “dream”.

Rilke once said if something is difficult this is a good thing. Uncertainty according to Keats is the right state of mind for a poet. Yet is such a state the cause of unease or joy? The act of creating a work of art is joyous. This joy offsets possibly the larger losses for some of us. Yet the difficulty is a weighty thing. Certainty has its place. Negotiating these things fear, uncertainty and certainty is important.

We try vainly to control such circumstances and when someone seems to be blocking us from attaining the “things” we think we need anger can arise. Anger and fear are tied together. Yet, fear is the culprit. Fear looms in us Americans largely due to economic need. Rage is closely tied to it. Poetry is a method of meditation or prayer. Poetry is one way to overcome such fear. It is necessary to write to offset the fear possibly. The act of writing, meditating, doing and not doing are on my mind. There is something good too in not doing, not thinking. Such things are difficult and good. I’m off to do a lot of stuff today again. What is lost is not the end of creating, but it is possibly the beginning of it, and such letting go is and can be freeing, but the fear is deep within us. Eventually we re-assess what is important. As J says, the one thing you can be certain of is change. How we perceive change matters.

Fear can be felt in the body. Breathing is a good thing and it does work, but one must be constantly attentive and this is difficult where everything around us says one must own, conquer, defend and hold on to things. I am thinking we must let go of such things despite the fear that rises up within the body. And I do think it is good to remember that everything changes, everything is impermanent, transient, fleeting. This doesn't mean that we are purposeless drifters at the mercy of the greedy. I am hoping to remember this today and let go of my own fears for today, for now.

Tuesday, May 20, 2008

We are not creatures of circumstance; we are creators of circumstance.- Disraeli

Are we what we think and perceive or does money and social standing play an integral part in success? But is "success" or "failure" who we are? Who are we? What are we? Most who have resources focus on the fact that it is irrelevant (money) or social standing and that one can and should "rise" above circumstance.

Abundance is elsewhere outside of things. I used to dislike the religious connotation of the word abundance. What is outside of our ownership may be all we have. Maybe the less we "have" the better, despite "outsiderness". And yet, maybe outsiderness is irrelevant if one sees the parts as the whole, the all as the one.

I have a lot to do today. More very late tonight or early a.m. possibly. I have to let go from and of "things".

Sunday, May 18, 2008



El Paso

Saturday, May 17, 2008